TEMPLAR ΣYΜΒΟΛΩ OVER-CROSS

The very first Figural and Symbolic Feudal Superomism as Philosophy of History, and the converse, a New Superomistic Iron-Manifesto as a Beyond-Modern, thus Anti-Modern, Overcoming of the Cartesian Cogito, in the Person of the Overman, and now of the Cross Itself (NVNC CRVX IPSA, in Latin), as, over-symbolically, the YΠEPΣΤΑΥΡOΣ (ancient Greek neologism for "OVER-CROSS," as this latter proving now already so, in English), and the ΚΑΤAΣΤΑΣΙΣ.

Inspired by Joachim of Fiore’s († 1202) Liber Figurarum and Psalterium Decem Cordarum, by the related Apocalypse of John († 1st century) and by Guillelmus Peraldus’ († 1271) Summa de Virtutibus et Vitiis, it is herein conveyed, for the very first time, and as a natural beyond-modern outcome, and into the Force of Allegory, a Synthesis of Figural and Symbolic Primordial Superomism as:

The Feudal and Conquering ΛOΓΟΣ as antithetical to the Modern and Yielding ΧAΟΣ, the Restoration of Order as Triadic-Prophetic (as in Joachim) Unity of the Superomistic Substance (in the classical Aristotelian meaning), as now meeting with the Stoic cosmic notions of EΚΠYΡΩΣΙΣ (conflagration) and AΠΟΚΑΤAΣΤΑΣΙΣ (restauration, as consistent with the former), or, as (Anglo-Saxon):

SWA HEAÞORINCES OFER-MANNES BÆLÞRACU EFT
NIHTES DÆGSCIELDE IC ÞUNRODE SWA AHWÆR
NORÐÞUNRES BYRNSWEORDE ÆDSCEAFT ANCYMÞ

This refers thus to the Core of the Middle Ages (12th century), as an era embodying the Centrality, both theological and cosmological, as the name itself suggests, and as proving the most primordially iron-related, the most foreign to whatsoever crisis of historical identity and, most of all, anti-cartesianly, hence beyond modern thought, as one, over-historically, with the Existence and Affirmation of the Overman. This is his own progressive Historical Revealing (left to right) paralleling the underlying text as (ancient Greek):

AΔEΩΣ KAI ΑΦΘONΩΣ NYN EN TH AIΩNIA ΜAΧΗ
TO ΔE YΠΕΡAΝΘΡΩΠΟN EIΔΩΛON THΔE TO EMON ΕIΔΟΣ

Or

Without Fear and profusely, now into the Eternal Battle,
The Superhuman Image, here my own Image.

Two parallel interpretations are thus possible. The first shield signifies Being as Power and his Person, while the second Becoming as Increase in Power. These, alongside his own Image (IMAGO EXTRAMVNDANA, in Latin), designate his Very Integrity into the Triad of Power as Universal Master and Incarnation of an Apocalyptic Concord, or as (Classical Latin):

NVNC SALVE TIBI RVBRO AC IGNEO IN TEMPLO SIGILLO
HOC APOCALYPSEOS MEO ARGENTEO SCVTO SIVE SPECVLO
MAGISTRI VNIVERSALIS SVPREMO CONCORDIA TEMPORE
TV SVPERMVNDANE HISTORIÆ ROSA VINDEX HAC IGNEA
VLTIMI DEBELLATOR ANTICHRISTI DRACONIS CAVDÆQVE
DE OVERMAN REGE MERIDIES OCCIDENS AQVILO AC ORIENS

The chain-mail indicates alchemy in the Antithetical Iron, the ruby upon a ring the Heraclitean gore shed upon the battlefields of History, present, past and future, and a gleaming diamond upon the cross-guard of a Main Sword (SPATHA, in Latin), Purity. Templar and Saint Maurice crosses appear, one in the form of dagger worn upon a belt. The dark falcons top right signify nobility, as it was a custom in the Middle Ages, and as found in the Bayeux Tapestry (11th century), while the mirror-shields Specular Will-to-the Overman, as standing thus supreme as the Fulcrum of History as Heraclitean Fire, the gore colour of which sacrificially appears upon his Templar cross. The term body is employed according to my ontology. As in the Apocalypse of John, the letter Ω indicates Unity and Arrival. ΩΣΤΕΡ is a Greek acronym for:

Ω (Latin FINIS, as in John, the Very End, the Will and Volition, the Conclusion, the Overman himself), ΣΚYΘΗΣ (Scythian), ΤΙΜΩΡOΣ (Avenger), EΡΕΒOΣΔΕ (into the EΡΕΒΟΣ, the Region of Darkness), ΡYTΩΡ (Protector).